Having the right equipment for a recording studio isn’t enough in order to get the right sounds for your CD. If you want to make sure that everything is in the right place, you will also want to think about the way in which things are spaced out and how you can work with that in your recording studio.
The first thing you will want to consider with setting up a recording studio is how much room you will need in order for everyone to be comfortable. This means that you will need to have plenty of room to fit an average of five to ten people. If you want more people to come in, space out how much room each one will need in order to feel comfortable within your space. The size of the room as far as feet will not change the way that anything sounds, so if you think bigger space, it is probably better.
The second part to this is dividing the space between the engineering and the playing. While this is not as important as it used to be, it helps for monitoring as well as mixing the sounds while others are playing. Typically, you will see one room that is divided in two. One space is for the musicians while the other is for the sound board, mixing and mastering while those who are working are playing. This creates a better sound proof area for your recording.
With the engineering area, it is expected that everything will be in a range where you can quickly get to it and change the sounds as it is going. Having everything within your arms reach, such as the mix board and the software, will help you to be more consistent and effective while recording other instrumentation.
The area in which the musicians are will then need to be built in a specific way. It is best to have very thin carpeting or wood floors, as this causes the sound to not be absorbed. Lower ceilings will also help to keep the sound compacted. If you have wood flooring or no carpet, you will want to consider buffering the ceiling or placing an area rug around the space which the musicians are working. This will help to keep the sound from bouncing. On the side of the walls should be foam in order to keep the sound deadened as well. You will only want to foam certain sides, depending on the shape of the room, it’s size and how it is built. If the noise becomes to deadened, it will be harder to get the right mix when recording.
Another part that should be kept in mind with the musicians area is with the voices. If you are planning on putting vocals on any CD, you will need to have a separate area for the microphones, again, depending on the size of the room. Often times, vocal boxes will be used in order to trap all of the sound. For home recorders with a minimum budget, things such as closets will work in order to keep the sound in the right space.
Of course, each recording studio will differ according to the best way that you work, the type of instrumentation that you have, who you plan on recording and what your needs are at the time. Before you start with your recording studio, it is best to plan out the most legitimate way to organize your equipment and your needs so that everything can be effective once it is set up.
No matter what your budget, needs or playing capacities, having a recording studio that allows you to produce professional CDs is an important factor in creating the right sounds and mixes. The more you plan out for your studio, and the more capacities that you have with dividing the spaces correctly and with having the right equipment, the easier it will be to create the right sounds.
“Life With Woody” 10 inspirational quotes than can improve yourself
It might take a little coffee or probably a few rounds of beer or any other booze you could get your hands on when it comes to relaxing after a hard day’s work. Well, yeah I’m guilty about that one as well, unless I’m caught dead wearing a lampshade over my head after a few rounds of vodkaÖ half-naked! Okay, bad example and I apologize to everyone reading this after getting nightmares about me in that state of drunken stupor.
Just don’t ask how it happened, please.
But what’s really interesting is that how do people go through the usual part of life when faced with vein-popping stress? I mean, the new age thing like Zen or yoga is one of the good things and it actually works. Is there room for the intellectual side of people who can actually smell the roses-in-a-can while on the move? It kind of had me thinking that there really must be something in this ‘mind-over-matter’ thing.
Humor is indeed the best medicine there is whenever you are. I mean anyone can pay good money to listen to a comedian just to make you wet your pants after laughing so hard. Despite of what’s been happening, and to those who has gone though the ordeal, it’s better to just laugh while facing the troubles with a clear mind than anger with a clouded vision. One of my favorite celebrities of all time may have to be Woody Allen. Now this is one guy who gives you the in-your-face bluntness that he pulls out with gusto, even without even trying. You can talk just about anything with a man, and he’s bound to mock the subject and you’ll end up laughing rather than being upset about it.
Woody Allen has this to say:
1. “Money is better than poverty, if only for financial reasons.” It sounds good to me, I mean the practicality of all things does involve money but it doesn’t have to take an arm and a leg to get it.
2. “I believe there is something out there watching us. Unfortunately, it’s the government.” ‘Nuff said.
3. “There are worse things in life than death. Have you ever spent an evening with an insurance salesman?” This happens to be one of the classic ones. I mean the issue about life’s little problems isn’t all that bad, until ‘he’ shows up.
Sure, relationships can get complicated, or does have its complications that probably any author about relationships is bound to discover it soon. We follow what our heart desires, unless you’re talking about the heart as in the heart that pump blood throughout your body.
4. “Love is the answer, but while you’re waiting for the answer, sex raises some pretty interesting questions.” And if you want more, just keep on asking!
5. “A fast word about oral contraception. I asked a girl to go to bed with me, she said ‘no’.” It sounds, ‘practical’, I think.
And when it comes to everyday life, he really knows how to make the best out of every possible scenario, and it doesn’t involve a lawsuit if he strikes a nerve.
6. “Basically my wife was immature. I’d be at home in the bath and she’d come in and sink my boats.” I never had a boat in my bathtub before. Just staring at it while soaking in hot water makes me seasick already.
7. “I am not afraid of death, I just don’t want to be there when it happens.” If it rains, it pours.
8. “I am thankful for laughter, except when milk comes out of my nose.” It could get worse when you’re guzzling on beerÖ or mouthwash, and it happened to me once!
9. “If you want to make God laugh, tell him about your plans.” At least he doesn’t smite us with lightning, and I’m thankful for that.
And despite of what may happen to all of us in the next ten, twenty, or even thirty years, I guess we all have to see things in a different kind of light and not just perspective. I can’t seem to imagine life without any piece of wisdom that could guide us. Whether we’re religious or not, it takes more courage to accept your fears and learn how to deal with them is all that matters when it comes to even just getting along.
And to sum things up, here is the last nugget of wisdom to go byÖ however, whenever, and wherever we may be.
10. “The talent for being happy is appreciating and liking what you have, instead of what you don’t have.”
You can play all day, but with recording, the real sound is all in the mix. Mixing a CD with the different sounds, can help you to achieve a variety of things, and is one of the most important tools for putting your CD together with the different instrumentation and capabilities. Defining the process of mixing and how you can use it effectively will make all the difference in how your CD sounds in the end.
The first thing to recognize is that there are two areas where mixing takes place. The first is before anyone records onto a track. All of the mixing that takes place at this point happens between the musicians and through the sound board. This type of mixing will help to define the instrumentation for the computer software programs as well as for the musicians that are working with the mixer.
The most important part of this type of mixing is to make sure that all of the instrumentation is leveled and even with each other. It is not necessarily finding a blend, but instead, creating similar volume levels and even balance between the different instruments. This also helps to prepare the tracks for the final recording, which will include noise gates and deadening the sound so that the waves are able to be manipulated.
This stage of mixing is then redefined after all of the tracks are recorded. The mixing process after this point is dependent on finding the individual instruments, their strong areas and making sure that they sound right with those areas. By the time you begin mixing within the software program that you are using, all of the instruments should be normalized. This means that the peak points of the waves will be at the same number that is calculated through the noise levels of the wave.
Mixing then becomes a way to enhance the individual instruments through the piece. While doing this, you will want to be thinking of the other instruments and how they link to this; however, this is not as important as the need to bring out the best in the instrument that you are using. There are a variety of components that you can use to do this and to make sure that your mix in the end has a better sound.
The first part of the mix that you can use is enhancing the sound through special effects. Each of the instruments can have their own, or can have equal effects that allows everything to sound unique. Things like creating effects for a certain type of room so that there is more resonance to building reverb around instruments are all effective parts of the mixing process that enhances the instruments.
After you have the effects, you can take the wave files and make sure that the necessary areas of each instrument are enhanced. You will want to create things such as volume envelopes throughout the piece in order to bring out individual instruments in some places and to let them be in the background in other areas. This will help you to define what you want to come out the most in the song. You will also want to create levels of highs and lows within the waves of the individual instruments so that everything remains balanced within the song and with the specific instrument. The last step to the mixing process is defining the volume level and figuring out whether you want to move the levels up or keep them the same. Remember to always give yourself room with the volume levels so that you can balance out the levels during the pre-mastering and mastering stages as well.
By the end of the mixing process within the software program, you will be able to have all of the instruments equalized out with their volume levels, effects and different areas of sound. This will allow you to begin to blend in the instruments, first individually and then as a group. By understanding the details of mixing, you will have more abilities to create the exact sound that you want for your piece.
If you are getting ready to step into a studio to record, make sure that you start thinking before you ever put foot close to the microphone. While recording has allowed for new wonders and expectations to be met with music, there is still the need to do some old fashioned needs to make sure that your songs are worth the extra track. Following are ten tips that you can remember to make sure you have the arrangement correct before you begin recording.
1.Balance. Is your instrumentation balanced? You should have an even amount of ranges, from low to high. If you have too much of one and not enough of another, your recording might not sound so great.
2.Harmonies. You want to make sure that there is some good support going into the melody of your song. Without the right harmonies, or alternative sounds to the melody, it will sound like your song is missing a piece of the puzzle.
3.Musical arrangement. This is based completely around the ability to organize the instrumentation in the song. Not only should it be balanced, but it should also include contrasts and similarities in how the music follows what you are trying to say. If you are stuck with creating instrumentation that fits, get into some basic theory concepts to assist you.
4.Spacing. More important than all of the melodies and harmonies, is the room that you put in between each. This means that you don’t want to rush through your song and you don’t want to take too much time. Make sure that you give some breaks with melodies and change up the harmonies enough to keep it interesting and moving correctly.
5.Tempo. Often times, it is assumed that there is a specific tempo and that is it. However, you want to make sure that your tempos are defined and everyone follows them without missing a beat. Once you get into the studio, you don’t want anything to be off by a second, as it will cause the recording to become difficult to lay down.
6.Form. The easiest way for a listener to relate to your song from the beginning is to have the right form. If you are focused on lyrics, this will be the hook that is used during the chorus. If you are experimenting with form, make sure there is always a place in the music that goes back and keeps the attention of the listener so that they can relate to the music.
7.Variety. One of the overlooked parts of arranging is the variety that is in the song. This means that, even though you are repeating choruses or verses, make sure that you have some different movement or instrumentation in your recording.
8.Movement. The movement of the song goes beyond the tempo and into the extra small things that you do with a recording. This is what will make or break a song. Things such as louds and softs, ornamentation and other small add ons will help to move the song in the right way.
9.Consistency. Along with the variety of the song should be a certain consistency that lets the song fit together. This partly is related to the form of the song and also links to things such as tying the song together with the right lyrics and musical concepts. Within each of these areas, you can have some variation, but make sure that the frame work allows the listener to follow what you are doing.
10.Creativity. Of course, this should never be left behind. All too often are musical ideas that are heard that are close to what was heard before. The first rule to a good song is always to let yourself go, follow your creativity and to let the rest fall into place.
With these simple tricks are ways that you can improve your song and get it recording ready. From this, you will be able to make sure that your songs and pieces are polished, stand out from the crowd and get your voice heard among other musicians.
The Game’s Meek Mill disses continue to pour in, but this time in visual form. After “92 Bars”and “Pest Control,” the Compton spitter unleashes a music video for the latter, a scathing barrage of bars over Young M.A.’s “Ooouuu” instrumental.
The visual for “Pest Control” was filmed in Baltimore and kicks off with an exterminator in search of a rat. Of course, this follows Game’s narrative that Meek ratted him out in a Sean Kingston robbery investigation earlier this year.
Meanwhile, Game fires off a round of disses while running through B-More. “You jumped Quentin Miller and now you don’t scrap,” he rhymes. “It was time to go at Drizzy and now you don’t rap / Ask your bitch, she know I ‘Beez in the Trap’ / You gotta move out of L.A., I’ll put them Bs on your back.”